Friday 26 March 2021

I don’t like the colour


Quite a few years ago we were contracted to polish a large office refit for a major Australian company. Our cabinet maker client was installing quite a few hundred square meters of wall panelling, doors and associated joinery, over several floors of an office building in Melbourne CBD


The architect nominated a man-made veneer that required a specialised clear lacquer finish. We were involved in selecting the correct lacquer to avoid a number of issues that were associated with polishing new age veneers back then when those products were new onto the Australian market.

The project went through relatively easily with our cabinet maker supplying over one hundred wall panels and dozens of doors. We took care to ensure all panels were prepared correctly and that each panel had exactly the same amount of lacquer applied. Taking care to check each panel was polished identically to each other would ensure that any panel could be placed in any position and it would always match with the panel beside it.

The entire project was completed, installed, and signed off by the builder and everyone went on with their next projects.

A few weeks after completion of the renovation, the company had a change of CEO. The CEO moved from another state to Melbourne and arrived on day one to have a look at the newly renovated offices. He immediately raised a concern with the choice of timber veneer.

He basically hated the choice of timber. No amount of persuasion would convince him to leave it as is. He hated the colour of the timber and hated the grain structure as well. The architect was called back to discuss what could be done.
The final decision was to pull out the entire fit out, send all the timberwork back to us and have everything painted. Tens of thousands of dollars’ worth of timber veneer was to be painted over in an off white colour.

We raised a concern that just painting over the top of the clear lacquer would still leave the pours of the timber showing so the specs were upgraded to grain filling hundreds of square meters of joinery and then painting it all in a satin two pack paint.
The painting cost alone was around $25,000 and who knows what costs were involved in removing all the panelling and reinstallation after the painting was complete.